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Clive Carroll and Chris Quinn

CLIVE CARROLL & CHRIS QUINN

Clive Carroll is recognised as one of the outstanding acoustic guitarists of his – or indeed any other – generation.

He made his performing debut at the age of six, playing a home-made cut-down banjo with the family show band in Essex. There followed a musical education that culminated in a first-class degree in Guitar and Composition from Trinity College, and umpteen prizes and awards, including the prestigious Ivor Mairants Award. Since then he has toured extensively and recorded with everyone who’s anyone in the guitar world including many international tours with Tommy Emmanuel. 

His technique is flawless, his compositions are complex and sophisticated, while maintaining a strong melodic drive. He has the rare ability to move seamlessly and authentically between genres, from Irish airs to Dowland and Django, or from Bach to Deep ‘N Dirty Delta Blues.

No stranger to Theatre on Steps having appeared here over the years with The Robin Nolan Trio, Paulus Schäfer, Hickman & Quinn, and as a solo artist, Chris Quinn has been receiving glowing reviews in the music press for his latest solo release, Across The Divide. Maverick Magazines called him "A Master of the Acoustic Guitar and a Quality Songwriter". Songlines wrote "World class - Constant international touring over the last decade including a stint opening for the Jools Holland Orchestra as well as playing guitar for some of the worlds leading gypsy jazz guitarists has given this guitarist and vocalist an enviable confidence". 

As well as a fast growing reputation for his his own critically acclaimed songs, Chris' live shows often cover many styles, from traditional folk guitar to mean delta blues, to lighting fast bluegrass picking and gypsy jazz. 

Expect solo spots from both Clive and Chris as well as some serious guitar dueling, definitely one for the guitar lovers!!

THEATRE ON THE STEPS - CONDITION OF TICKET SALES

  1. Once purchased tickets may not be exchanged nor money refunded.
  2. Smoking in all areas of the Theatre is strictly forbidden.
  3. Only food and drink purchased on the premises may be consumed in the building.
  4. Mobile phones and digital watch alarms must be switched off in the auditorium.
  5. In the interests of other patrons, babes in arms are not usually admitted. Exceptions may be made for pantomime and certain children's shows, when prior arrangements should be made with the Box Office and a ticket purchased irrespective of the age of the child.
  6. Due to fire regulations, all patrons, including babes in arms, must be in possession of a valid ticket before entering the auditorium.
  7. The management reserve the right to refuse admission of the ticket holder to the premises.
  8. The Management reserve the right to request the ticket holder to leave the premises and to take any appropriate measure to enforce such a request.
  9. Cameras and any form of audio or visual recording equipment are strictly forbidden in the auditorium.
  10. Latecomers will not be admitted, (prior to the show or after the interval) until a suitable break in the performance. Latecomers if admitted, may be required to occupy alternative seats.
  11. The Management may alter or vary the programme, artistes and timings without consultation or compensation.
  12. The performance may be cancelled for reasons beyond the control of the Management without notice and without the Theatre being liable to pay any person any compensation whatsoever other than a possible percentage or maximum refund to the ticket holder of the value of the ticket.
  13. When you book online we reserve the right to refuse entry to the theatre if your order confirmation e-mail is not produced upon your visit to the Theatre.

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